Bad Lost-Media.Com Links
LMC changed the links to their
screencaps, making some of my
links invalid. I've fixed one
post, but if you find another feel
free to leave a comment.
After 665 days of searching for nonexistent WMD "we" have
given up. It's a good thing too, since
"we" are unable to keep enormous known explosive dumps out
of the hands of bad guys. Oh yea-and Bush Lied
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A: Mostly I straddle reality and the imagination. My reality needs imagination
like a bulb needs a socket. My imagination needs reality like a blind man needs
a cane. Math is hard. Reading a map. Following orders. Carpentry. Electronics.
Plumbing. Remembering things correctly. Straight lines. Sheet rock. Finding a
safety pin. Patience with others. Ordering in Chinese. Stereo instructions in
German.
Q: What's wrong with the world?
A: We are buried beneath the weight of information, which is being confused with
knowledge; quantity is being confused with abundance and wealth with happiness.
Leona Helmsley's dog made 12 million last year... and Dean McLaine, a farmer in
Ohio made $30,000. It's just a gigantic version of the madness that grows in
every one of our brains. We are monkeys with money and guns."
So, in three years (Dec 2007?) Locke will be dead. Why did the Island allow
him to die? And isn't it great that even if he's dead that doesn't mean
no more Locke goodness?
My guess is that the off-Island Oceanic 6 scenes in 2007 will become the
new "present day" and the flashbacks will be on-Island starting right
after the Island moved and will move forward in time until final Season 7
when they converge. Or visa-versa.
How did they fit a polar bear into that little chamber in the Orchid?
Big Question: Why doesn't the Island just tell people what it wants
them to do?
Jin and Daniel aren't confirmed dead.
I think Sun wants to get back to the Island and find Jin. She may
be working with Ben.
I really want to know why the bad things that happened (will happen, whatever)
on the Island after the Move are Jack's fault.
Dream Claire doesn't want Aaron to return to the Island. WTF is up with that?
That would guarantee that Aaron would be "raised by another"-isn't that supposed
to be a Bad Thing? Does Aaron have to be one of the group for them to return?
Notice how Hurley brought Sayid into his family? Mark my words, by
the end of Season 6 Hugo will be the Grand High PooBah of the Island
Yes Miss Austin, why didn't the Marshall or anyone else notice you were
SIX MONTHS PREGNANT?
Sayid has been searching for her, but Nadia found him.
Ben: "It's a Greenhouse", and I'm Eleanor Roosevelt.
Good Line: "How do you move an island? Very Carefully".
Too bad "Mister 'Splody" Locke is going to be at the controls.
"None of your business"-Ben is getting upitty.
Who signalled back from the Orchid? I assume they knew some sort
of password.
Daniel could tell everyone that the shit is going to hit the fan, but
what fun would that be?
Jin made it to the boat, so it looks bad for him.
What is on Hurley's t-shirt? Something about Ace Spades?
I really, really want Mama Hurley to fall down a well.
The Camaro's key is attached to another white rabbit's foot, like
the Coast Guard co-pilot had.
Red Camaro-Red is bad.
Ben-"I wasn't being entirely truthful"- no shit.
Keamy's dead man switch is connected to the C4, that's what's
messing with the depth gauge.
Yes Jack, you left your half-sister on the Island.
Michael and Walt TOOK A CARGO FERRY back to NYC?!???!?!
He only had three weeks to get an apartment and fuck up
his life before he had to get on the Freighter-a ship would have
taken forever to get him home.
That is a hell of a lot of C4.
Prediction: Sooner or later
Locke is going to realize what a dupe and a shmuck he's been
and try to "clean up his mess". Notice how in this episode everyone else is
trying to help/save someone else, but not Locke. He doesn't care about
Hurley being stranded, he doesn't care about the people he didn't protect
from Keamy's goons, he only cares about serving the Island. I've got news--
there is nothing that says that
the Island deserves worship or service. Locke has faith in the Island, but he
has no faith in himself. He's constantly looked outside himself for direction-
his father, the commune, the Island, The Button, Ben, Jacob. He may want
to be a Hero, but right now he's just a tool.
"This insane montage of (nearly) every instance of "What?" from the LOST
series started me thinking about this genre of video meme, where some
obsessive-compulsive superfan collects every phrase/action/cliche from an
episode (or entire series) of their favorite show/film/game into a single
massive video montage.
For lack of a better name, let's call them supercuts."
My favorite is the 277 DVDs dissecting and categorizing Starsky and Hutch
"...tests such as checking whether the child can recognize
acquaintances or possessions from his previous life or answer questions only
known to his former life-experience. According to the book Magic and Mystery in
Tibet by Alexandra David-Neel, “A number of objects such as rosaries,
ritualistic implements, books, tea-cups, etc., are placed together, and the
child must pick out those which belonged to the late tulku, thus showing that he
recognizes the things which were his in his previous life."
Locke: "You deserve to know everything that I do, so...no more secrets".
What a sad little scene. Once again the Losties are the most incurious and disconnected
bunch one could imagine. Why are the Freighties after Ben? Why are they going to
kill everyone else on the Island? What are we going to do to prepare for the coming
attack? How did Ben get Michael to work for him on the freighter? What were the
people on the helicopter supposed to do? Why did the Others abandon Ben?
And those are just
the questions that concern their immediate welfare. No questions for Ben about the
hundreds of other mysteries. No more secrets my ass-Widmore, the guy behind
the freighter, isn't even mentioned.
Freighter
The ship's alarm sounds exactly like the Swan's.
Locke's House-Ben/Alex/Karl/Rousseau
Did Ben hand-draw the
Temple Dharma logo on
his map or does he have
a set of stamps?
Ben: "These people that are coming - they know who I am, Alex. They're
here to capture me. They'll kill anybody that gets in their way. If they knew
who you were, that you were my daughter, they would use you to get to me".
If (and it's a big if) Ben's strategic prowess stems from knowledge of the
future then he could have planted the idea for Alex to use her identity to save her life.
But if he knows the future then he knows already that Alex tells the freighter
snatch-team that she's his daughter-so he doesn't need to tell her. This is
a hint of some of the problems associated with time-travel/precognition.
Freighter
Sayid wants answers, bless his heart.
New York City
Irony: The song playing in Michael's car is Mama Cass's "It's Getting Better"
"Once I believed that when love came to me
It would come with rockets, bells and poetry
But with me and you it just started quietly and grew
And believe it or not
Now there's something groovy and good
Bout whatever we got
And it's getting better
Growing stronger warm and wilder
Getting better everyday, better everyday
I don't feel all turned on and starry eyed
I just feel a sweet contentment deep inside
Holding you at night just seems kind of natural and right
And it's not hard to see
That it isn't half of what it's going to turn out to be
Cause it's getting better
Growing stronger, warm and wilder
Getting better everyday, better everyday
Ba da da da da da da da da da da da
And I don't mind waitin', don't mind waitin'
Cause no matter how long it takes
The two of us know
That it's getting better
Growing stronger, warm and wilder
Getting better everyday, better everyday'"
According to the speedometer, the car hit the container going at least 60 mph.
Assuming Michael never buckled his seat belt
(and I never saw him), he should definitely be dead.
His other suicide attempt is iffy, given that Tom could have
messed with his gun, but I think the crash is good evidence that Michael cannot die.
This episode's closeup of an eye opening is Michael in the hospital.
Is
Nurse Libby a guilty conscience, or Smokie , or like whatever Charlie is now, or
something else?
The Hospital room changes before and after Libby, suggesting either a
dream or bad continuity.
Libby is bringing blankets, just like when Michael shot her.
If Michael had no ID, how was his note supposed to get to Walt?
There's a Xmas tree in the hospital and a wreath at Mom's house=It's the
holiday season, probably December 2004.
The back of the watch
says "Congratulations mutual cooperation business development Mr. Paik"
in Korean
There's a Xmas tree on the counter at the pawn shop.
Why does Michael need a gun? New York City is full of nice tall buildings
he can jump off of.
Tom is pretty lucky Michael didn't press the issue, it's not easy defending
yourself against someone who hates you and who wants to die.
For the record, I think Michael can't die, but I remain skeptical of everything
Tom says to him, including the part about the Island not letting him die.
Michael's "invulnerability" could be due to some other factor that Ben is taking
advantage of.
"Also of interest: how Zeke said that Michael had more "work
to do." This is what Taller Ghost Walt said to Locke at the Skeleton Pit, and
it's the same sentence Zombie Dad said to Vincent in "So It Begins" (a Lost
Missing Piece)--referring to Jack."
Bob Dylan lived in the Hotel Earle, room 305, in the 1960's.
There's a fictional Californian Hotel Earle in the
Coen brother's film Barton Fink. Barton's next-door neighbor is a
traveling-salesman serial killer.
Michael's TV mentions Kurt Vonnegut as a game show answer.
Who turns on the TV before they shoot themselves?
Yup, Tom's gay.
Tom's "evidence" is pretty weak. What kind of self-respecting
evil billionaire leaves a paper trail of
purchase orders with his name on them?
Widmore says Ben staged the Indian ocean wreck, Tom says Widmore did
it-my theory is that both of them are lying and neither of them is
responsible for the plane that was found. I think that really is flight 815-we've seen
duplicated bunnies, why not duplicated planes?
"Kevin Johnson's" passport has the same number as Ben's "Dean Moriarty" one.
Freighter
How did Ben get Michael a job on the freighter? Why would the freighter
need a deckhand to come all the way from America?
"Hi there, I'm the new lowly deckhand. Pay no attention to the crate I'm having
loaded onto the ship, it's not like it's a bomb or anything. I mean, just because you're
all going off to do bad deeds for an evil billionaire, there's no reason for you to have
any semblance of security."
Let's meet all the people who will be dead soon.
Oranges:
"Meet Kevin Johnson calls attention to another seminal
modern tragedy that might serve as the model for the stories of Michael and
other characters. In an allusion to The Godfather films, Miles calls
our attention to an orange that he's eating, both visually and verbally. Oranges
also serve as a famous recurring image in The Godfather film saga,
always as a forewarning that death will not be far behind. Lost also paid homage
to The Godfather as far back as the Pilot episode of the
series, in which Terry O'Quinn mimicked Marlon Brando's famous orange peel
smile. If The Godfather saga does serve as a major creative influence
on Lost, then there is a strong reason to be concerned for its characters. The
story of the Corleone family suggests not only that it might be impossible for
an individual to atone for past crimes within one lifetime, but that future
generations also will suffer for those sins."
Whatever Engine Room Libby was, why did she warn Michael not
to set off the fake bomb? My theory: "Libby" didn't want Ben to get another
hold over Michael.
My first reaction to the "Not Yet" pop-up was "Oh my god, the
Island is writing notes!".
"Finally, on the subject of the King of Ka, I wanted to
highlight a telling reference to the Shining. Recall that Mike is wasting time
by bouncing a ball against the wall just like Jack Nicholson in the film version
when Minkowski draws the comparison. I'm intrigued because the Shining strikes
me as a perfect analogy for what's happening on Lost. Like the Overlook Hotel,
the Island was once the site of some trauma that left a powerful psychic imprint
upon it. Living and dead alike are driven by this imprint to repeat terrible
events of the past.
Of particular relevance, both the Shining and Lost feature psychic children
whose powers are intensified by proximity to the Island/Hotel. This booster
effect makes the children more sensitive to the imprint but simultaneously gives
them the power to resist it. That's why Walt eventually soured on the Island in
a way Locke never did, even during his crisis of faith after finding the Pearl.
The former is little Danny Torrance, and the latter his father, Jack. Like the
Overlook Hotel, the Island needs a new caretaker..."
Michael's a lowly deckhand on a freighter on a secret mission for
an evil billionaire, of course he can take a call from the mainland in private.
It's not like he's a mole for an evil sociopath.
Ben can radio the outside world from his secret room.
Ben: "I will not kill innocent people."-Does Ben really believe this? How
does he rationalize shooting Locke? Oh yea, Ben believed that Locke killed his father
to join the Others.
The question to ask is; Why doesn't Ben really want
the freighter blown up?
Possibilities:
Ben is prohibited from or punished for killing innocent people
who are off the Island. "God doesn't know how long we've been
here, John. He can't see this island any better than the rest of the world can.
".
For some reason he can't kill innocent people in the context of his
conflict with Widmore.
Blowing up the freighter screws up the future.
"In Ben's brief appearance in Michael's flashback, he makes his
strongest plea yet that he is The Good Guy. He goes to great lengths to convince
Michael that he is not a monster like Charles Widmore: "When I'm at war, I'll do
what I need to do to win, but I will not kill innocent people." While Michael
was convinced by the little farce that Ben played with him, Ben's track record
indicates otherwise. It is difficult to put an exact number on the innocent
people that Ben killed or tried to kill to fulfill his own desires. However, Ben
is such a fan of listmaking that he probably has these names checked off
somewhere: Roger Linus, Horace Goodspeed, another forty members of Dharma
Initiative, the real Henry Gale, Goodwin, Charlie, Bonnie, Greta, any pregnant
woman who wanted to leave the island, all of his own people who died on
kidnapping missions, etc. You can add in his direct attempts to kill Ana-Lucia,
Locke, and Charlotte, as well as the countless other times when he ordered other
people to use lethal force. If you agree with my interpretation of this episode,
then Karl and Danielle will be just the latest names in this ongoing series of
victims.
Perhaps even longer than his list of names is his list of excuses. He somehow
manages to keep persuading both characters and audience members that everything
he does is justified. Ben has now convinced a new group of people that their
survival depends upon their efforts to protect him. Make no mistake, though, Ben
is a monster, and there is no other character more dangerous than him. He
pursues his desires without regard for human life, and slaughters the innocent
without conscience."
Ben's new orders to Michael don't make sense. If the freighter's radios and
engines are disabled, those innocent people either take a smaller boat and try
to get to the Island or they starve to death.
Michael doesn't cover any of the time since Sayid and Desmond got
on board.
I'll say one thing for Michael, he didn't lie to Sayid and Desmond.
Want to bet the Captain knew all along about Michael?
"Watch Gault's reaction as they present Michael to him - he's not
even the least bit surprised. In fact, he looks almost disappointed. I think he
and Widmore knew exactly who Michael was from the very beginning, and were
planning on somehow using that knowledge to find Ben. Sayid and Desmond just
blew it for him. He intentionally called Johnson to "clean up this mess" to see
if Michael's ex-friends would approach him. Check out how he watches them over
his shoulder on the way back to his quarters. I actually think Gault expected
them to secretly buddy up together... he had no way of knowing that Michael
committed double-homicide and was totally hated. The captain was completely
caught off guard by Sayid turning him in."
Does it seem like the whole freighter thing seems a little low-rent for
a guy like Widmore? If I were him I would have at least 2 ships; one near, one far.
And no crappy rustbuckets.
The same thing that prevents Michael from dying could have
intervened in Jack's attempted bridge jump.
There are some serious issues with Michael's timeline. I'll just quote
directly from
BuddyTV:
Also, we wondered, when did Tom find time to get off the island during that
month before he died? To answer these questions, here is a simple timeline using
the days on the island to try and pinpoint when the flashbacks took place.
Day 67 (Saturday, November 27, 2004):
-Michael and Walt are released in the boat get off the island.
Day 67-Day 74:
-Tom and the rest of the Others are at the Hydra Station, interrogating Jack,
Kate and Sawyer. Tom is present throughout, including during Ben's surgery.
Day 80-Day 81:
-Locke, Kate, Rousseau and Sayid see Jack playing football with Tom.
-The Others (Tom included) head off to the Ruins.
Day 87:
-Naomi lands on the island.
This timeline results in some serious issues fans should have with time. When
Ben calls Michael on the radio, he is in his home in the barracks, which means
that scene takes place on Day 81 at the latest. In other words, two weeks after
leaving the island, Michael is on the freighter coming back.
Also, this means that Tom's visit to New York City must have taken place between
the time at Hydra and the time he's seen playing football with Jack. This covers
roughly a one week span that takes place one week after Michael leaves. This
makes almost no sense.
Michael left in the boat, he had to find help, come ashore, somehow explain
himself, get on a plane back to New York City, drop off Walt to live with his
grandma, find an apartment, get into a car accident, recover, and only then did
he meet Tom. Either the writers are playing fast and loose with the concept of
time, or Michael had the busiest week in the history of the
world.
I've gone over
Lostpedia's Timeline and I can't argue with this analysis. Though Ben did
send Michael on a different bearing than Faraday's "safe" heading-maybe Ben
intentionally sent Michael and Walt back in time. Against this is Michael's mom
not seeing him for 2 months.
I'm completely in love with Jack's vintage Bronco, but does this seem like the
car a hot-shit spinal surgeon drives? Yet it's so unique I wonder if there's
a reason behind it.
"...David Byrne's booking agent at William Morris Agency, Mark
Geiger, has been soliciting offers from a number of different promoters around
the United States for Byrne/Eno live shows, promising the set list will consist
of at least 40% Eno-era Talking Heads material.No word yet on if he's had any
takers. Most of the tour is already booked."
Yawn. Nothing really happened this episode. Yea, Sun gave birth in the future, but that
hardly required any dramatic moral choices. And we learned that Ben's mole is the guy
everyone already guessed it was. And once again I was wrong with a prediction that
Charlotte worked for Ben.
Maybe what this episode needs is different theme music
What does Frank have to be ready (and not late) for?
Frank says he'll "be up", so it sounds like something on board, something unpleasant,
by the look on Frank's face. I don't think it's poker with the boys.
" Verne's 1875 diary of a shipwreck is told from the point of
view of one of the passengers. A plot element that Verne uses again and again
(and Lost picks up on) is the use of an international cast of characters, and
The Survivors of the Chancellor is no different, but the characters are
primarily from the British Isles, France and America. The diary follows a J.R.
Kazallon's account of the ship the Chancellor leaving Charleston, South Carolina
and heading out to the Sargasso Sea via the Bermuda Triangle (it can't be
avoided).
Eighteen days into the voyage, the crew discovers a fire in the cargo hold of
the ship; one of the passengers, a Welshman named John Ruby, was smuggling "with
characteristic Anglo-Saxon incautiousness" an explosive called potassium
picrate, which ignited in the hold. Things pretty much devolve from there. The
fire burns for days, the captain resigns, and the smuggler himself goes mad and
jumps through a hatch into the fire. The ship finds its way to a small volcanic
island and tries to make repairs, dumping much of its cargo and putting out the
fire. But not long after setting off again, it starts to take on water, and
after a number of days they're forced to make a raft and abandon ship. The
survivors limp south, and little by little, succumb to the pressures; some of
the crew get drunk and mutiny, some die, some eat the dead, one person dies from
poisonous water. A body even goes missing, like Christian Shephard's, and like
Regina, one crew member goes insane and jumps off the ship.
One of the interesting points about the novel is that the narrator is constantly
giving their precise latitude and longitude throughout. This makes the novel a
bit more interactive than a regular book, as the reader can follow along with a
map and chart when and where the survivors ended up (not unlike what much of the
Lost audience does each week). Furthermore, this kind of interaction is one that
displaces traditional author/audience roles, where the audience only passively
receives whatever the author explains (and we know how active the Lost audience
is in its story). As such, it's fitting that the name of the ship, Chancellor,
describes an administrative official of high national office, and in some places
a leader. The leader, in other words, is crippled and brought down, while those
who were subject to the leader become self-organizing and self-directing, for
better and worse."
Kitchen trouble? Would Michael sabotage the kitchen?
Why is Frank coming from the copter with the bag of lima beans?
Lima Beans, aka Phaseolus lunatus:
"P. lunatus is a legume. It is grown for its seed, which is eaten as a vegetable.
It is commonly known as the lima bean or butter bean; it is also known as Haba
bean, Pallar bean, Burma bean, Guffin bean, Hibbert bean, Java bean, Sieva bean,
Rangood bean, Madagascar bean, Paiga, Paigya, prolific bean, civet bean and
sugar bean."
This doesn't lead anywhere, but then neither did this episode.
Beach
Uh oh, Sun is actually thinking about WTF is going on. This can't last,
so don't expect it in future episodes.
Sun and Jin actually want to know what's going on and Kate actually
tells them. Amazing.
Meow-Kate doesn't play well with the other girls. Especially if they've stolen
one of her men or clocked her over the head.
Freighter
Nitpick: Sayid should assume the room is bugged. Instead he blabs
away, telling potential listeners that there's a mole.
"Don't Trust The Captain": Brilliant, like anybody on Lost should
trust anyone. How about some useful advice, like "don't eat the tacos"?
Beach
Why does Daniel have the phone all taken apart? Did it get broken last ep
and I missed it? Or is he trying to hack it?
Daniel is still wearing that tie. I bet he strangled a hobo with that tie.
Great googly mooglys, Sun is asking direct questions and demanding answers!
Jin is wearing a red shirt. He's in mortal danger.
Sun has a goddamn plan, and nobody better get in her way.
Another direct question, this time from Juliet.
Hospital
All the hospital scenes are creepy-I keep expecting somebody to steal the baby.
Jin
Yes, Jin has a temper. Yawn
What drugs is the toy store guy on?
Beach
Nice map, it's like a third-grader drew it, not expert
tracker Kate.
If it's all she's got left, Juliet will resort to the nuclear
option.
I love the stunned look on Sun's face.
The first thing that goes through Jin's mind is "I gotta go fishing"?
Look, it's Bernard, the very definition of a 3rd wheel.
Freighter
"That sound is not mechanical"-I love Sayid. He and Desmond should get
their own spinoff. They'd be a great pair of cops who make their own rules.
That banging might be intended to be heard by a submarine.
Frank is on an "errand"?
Say goodbye to Regina.
Captain Gault is a
fictional sea captain created by English writer William Hope Hodgson.
"Captain Gault seems to be a captain for hire, and operates a
different ship in each of the stories. Some take place in England, some in the
United States, some in Havanna, and some in Europe. Gault himself is a morally
ambiguous character who follows the pattern of many famous fictional criminals:
although a law-breaker (he seems primarily interested in making money), he
proves also to have a strict moral code. As the series progresses, we learn
tantalizing bits of information about Captain Gault: he seems to be highly
placed in a secret society; he has occult knowledge about arcane religious
artifacts; he seems to be very knowledgeable about gemstones; he is a skilled
amateur painter. In general, he reveals himself to have surprising resevoirs of
specialized knowledge. Where he got all this knowledge is generally not
revealed; we get only these tantalizing hints at the character's
past."
Galt: "Some of my crew have been dealing with what might best be described
as a heightened case of cabin fever. I think it might have something to do with the
close proximity of the island". Something is screwing up the crew, and I don't
think it's time-travelling.
There's no reason to believe anything the Captain says.
What possible use is the black box on the freighter? It's only a cool looking prop
for the Captain's con.
Boom, one second they have to do an emergency c-section, the next
the baby's born.
Freighter
"He was surprisingly forthcoming"-Sayid didn't believe a word.
Frank mentioned that you don't want to talk to the Captain. The Doctor
warns about "never pissing him off". He was kind of intense, but I'm still
waiting for the scary side of the Captain.
Desmond: "This ship isn't moving"
Doctor: "If you say so"
Nice and cryptic, the way I like it.
Welcome to the suicide suite.
Mops aren't very good at wall cleaning.
Oh my god, it's Michael. What a surprise. I never saw that coming.
Nice poker faces.
Beach
Nuttin
Jin at Hospital
Yup, it's a flashback. Thug Jin is working for Mr. Paik. He needed the
panda for the Chinese ambassador.
Sun's house
She's only taking the ring out of hospital bag now?
Why is Hurley releaved that none of the other Oceanic 6 are coming?
For a second there I thought Hurley and Sun were going to start making out.
Now that would have been a shocker.
The tombstone says that Jin died the day the plane crashed.
Sun and Hurley either think Jin is dead or as good as dead.
"Everybody Loves a panda!!! Especially when you really, really need one. Because
that's when a panda is most likely to be there for you, right? Right. Because as
far as I'm concerned, the panda sure as shit wasn't there the first time around.
What the hell am I talking about? I'm talking about the fact that Jin can walk
straight up to a store clerk who happens to be standing in front of a giant
panda and somehow NOT see it. He asks for a panda and the clerk whisks him off
to an aisle of plush dolls to uncover the secret hidden 'last' panda. And after
Jin loses it in a Mr. Bean-esque series of trips, drops, and fist-shaking
mishaps... he returns to the store only to discover a second giant panda resting
next to a dragon on the shelf behind the clerk - right where a dragon (and only a
dragon) existed just a minute ago.
As so often happens on LOST, sought-after things are miraculously provided. From
Sun's pregnancy test to Charlie's guitar, from Jack's dynamite to Ben's spinal
surgeon... all things come to those who need them. The phenomenon goes by many
names: suggestive manifestation, the magic box - this time I think it's more
along the lines of course correction. Jin was in desperate need of a damned
panda and poof - there it was. Think I'm reading too much into this? Think I'm
talking out of my ass? 9 out of 10 people do. But then again, those are the same
people who still think the picture frame changes in Miles ghost-hunter flashback
can be chalked up as 'set error'.
"Pere Ubu and the Brothers Quay present
the WORLD PREMIERE of Bring Me The Head Of Ubu Roi
In
two specially created performances for Southbank Centre's ETHER 08 festival,
expressionist avant-garage band Pere Ubu presents the world premiere of Bring Me The Head of Ubu Roi, an adaptation
of Ubu Roi (King Ubu), Alfred Jarry's landmark 1896 play that inspired
the band's name and is widely seen as the precursor to the Absurdist, Dada and
Surrealist art movements.
At the heart of Jarry's original production was
the use of various performance media, and Pere Ubu's show reflects this with a
unique visual staging by the enigmatic Brothers Quay, featuring intriguing
stop-motion animation, projections and imaginative stage designs. Singer David
Thomas will feature as Père Ubu, partnering Sarah-Jane Morris (ex-Communards) in
the role of Mère Ubu, and the production includes an original music score by the
band Pere Ubu and 10 new songs. Gagarin, aka London-based former Ludus, Nico and
John Cale drummer Graham Dowdall, will contribute minimal electronic
soundscapes."
From the press release:
"Well, it's pretty simple. If someone wants to work with me then
they have the right stuff. Working with me is guaranteed career endangerment,
not to be undertaken lightly. I had no idea of who the Quays were. Everybody
else seems to know but I don't watch films, tv or video unless a space ship or
baseball is involved. The Quays don't involve themselves with either. So how am
I supposed to know? I don't make the Rules. I obey. We met. We talked. We
immediately understood each other and the project and how it all would fit
together. I don't trust visual information of any kind. The Quays were clearly
men who were capable of taming the Eye Beast. I told them I'd be delighted to
stay out of their way and let them get on with doing what they feel most. They
sent me pictures. They were, as I knew they must be, perfect. No space ships. Or
baseball. But perfect nevertheless. Only people who don't understand need to
talk. We have no need of talking. Talking is for the weak, the uncertain... and
girls. Ha-ha! (I mean it.) We are men who stand in the moment and can deliver
the goods. So down to the process: Only work with people who are Masters, and
who Understand. If you choose to work with such people then don't get in their
way unless they appear to be set on a course that will break The Rules. Don't
make up the Rules. Don't work with people who feel the need to talk to you.
Don't work with children or animals. Don't run into the
furniture."
This was an average episode, saved mostly by it's focus on Juliet, the coolest
fertility researcher on TV. It also featured an incredible amount of sheer boneheadedness.
"Previously On Lost"
Is this the first episode to start with the "Previously On Lost" recap this season?
If she was originally with Dharma she
should be much older. It's possible that she is just impersonating the original
Harper Stanhope who died in the the Purge. She certainly isn't a very good
therapist.
Another of her diplomas is from the fictitious "Experimental Social Psychological Society"(ESP society).
Those eyebrows are EVIL. And that mole should be named in the credits.
Harper's name:
"Like Anthony Cooper, Harper Stanhope has a name resonate with
the 17th and 18th centuries; the 18th century Anthony Cooper was the Earl of
Shaftesbury, and the Stanhope name holds a few similar peerages.
For one,
Charles Stanhope, 3rd Earl Stanhope (1753-1816), was both a politician
and a scientist who experimented with electricity. But he is known for, among
other things, writing a response to Edmund Burke's scathing 1790 essay
Reflections on the Revolution in France. Burke - whose namesake was Juliet's
husband - supported the American Revolution, but thought the French Revolution
devolved into mob rule. Charles Stanhope, however, was a supporter of the French
Revolution, and responded with A Letter to Burke, Containing a Short Answer to
His Late Speech on the French Revolution. A few years later, Stanhope stood in
opposition to the British Parliament's suspension of Habeas Corpus, which was
also occasioned by the French Revolution; Parliament used the revolution and
demonstrations by radicals to effect a sort of proto-Patriot Act, where
publications deemed to be seditious were censured, and people could be detained
without trial (rather like Ben has been on more than one occasion).
.A generation before Charles Stanhope, two of his
predecessors held some different ideological positions. James Stanhope, 1st Earl
Stanhope, and his relative Philip Stanhope, 4th Earl of Chesterfield, were both
instrumental in crushing the Jacobite uprising. Jacobitism, besides recalling
the name of our Jacob in the island shack, was a 17th and 18th century movement
to restore the Catholic Stuart kings to the thrones in England, Scotland, and
Ireland (but as these things go, it was a lot more political than religious).
The uprising was of particular importance in Scotland, where the Highlanders,
with their Gaelic clans and culture, were primarily Jacobites. The key battle
was the 1746 Battle of Culloden, not far from Loch Ness. At this battle, the
well-equipped and organized British forces managed to put down the Highland
Jacobites, spent the next week hunting down and killing other Scottish Jacobite
leaders, and that was pretty much it for Gaelic Jacobite clan culture as a
political force in Scotland. This is also the same clan culture that Arthur
Widmore, scion of the American Widmores, yammers on about incessantly in
Bad
Twin. So in that name Stanhope, we have connections back to Edmund Burke, the
Scottish background of the Widmore clan, and echo of Jacob in Jacobitism.
Lastly, there is an orchid species called Stanhopea named after the 4th Earl of
Stanhope, Philip Henry Stanhope (not to be confused with Philip Stanhope, 4th
Earl of Chesterfield).
Harper's first name is uncommon enough to warrant a second look. It didn't take
long before Lostpedia had two suggestions up: Karen Harper is the author of a
book called Empty Cradle, about a fertility doctor named Dr. Stanhope who steals
her patient's eggs for testing. There's also the echo of one of the more famous
Harper authors, Harper Lee. Although there doesn't seem to be any direct
connections with Lee's one novel, To Kill a Mockingbird, there is something else
to consider: Lee was good friends with Truman Capote, who based a character in
his book Other Voices, Other Rooms on Harper Lee. That book concerns a young boy
who has to live with his absentee father after his mother dies, which echoes
Ben's story."
Harper: "You feel that all eyes are on you"=eye reference
Jeez, Juliet hasn't even slept with her husband yet and Harper is already
slapping her down. Nice way to be supportive.
With all the talk about celebrity, TPTB made it seem as if Juliet was one of the
Oceanic 6, until Tom shows up.
I bet Tom had to shave his mustache so he could wear the fake beard. He loved
that mustache, no wonder he was so mean.
Tom: "That Harper's a piece of work. But you give her a week,
she'll have you cryin' about your daddy. I'm speaking from personal experience
here." Is there anyone on this show without daddy issues? I wonder if Ben
made Tom kill his father?
How does Ben know Juliet loves opera?
Beach/Jungle
Yea, Juliet used to have a nice two-bedroom house and now she's reduced to
a floppy beach shack.
Bonehead #1: Nobody is watching Charlotte and Daniel (henceforth known
as CD). Jack has undoubtably neglected to inform the beach tribe about
any pertinent facts that might alarm them, or more importantly, make Jack look
bad. And even though they have plenty of reasons to suspect CD, neither Jack or
Juliet think to keep an eye on them. CD didn't even have to wait until after
bedtime.
Jungle
It's night, it's raining, so you know some kind of shit is going to happen.
Harper: "I came to deliver a message... from Ben. The two people you're looking for--Faraday and Lewis... they're headed to the Tempest. And if they figure out how to deploy that gas... then everyone on this island is going to die."
Juliet: "Why don't you stop them?"
Harper: "Because Ben wants you to go."
Juliet: "How can Ben possibly know where they are when he's a prisoner?"
Harper: "Ben is exactly where he wants to be."(Doesn't answer the question and mirrors Miles' statement to Kate)
Juliet: "How am I supposed to stop them?"
Harper: "By pointing the gun and pulling the trigger."(Very strange syntax)
Jack: "Hey!"
(Jack comes up and cocks his gun.)
Jack: "Who are you?"
Harper: "I'm an old friend of Juliet's. I just told her where the people
you're looking for are headed. Maybe you and your gun can go, too."(More
strange syntax)
That wasn't Harper in the jungle. I don't know if it was Smokey, or
Jacob, or the Island, or something else, but it wasn't human:
Her appearance was framed by the whispers.
She was soaking wet, just as Walt appeared to Shannon.
She didn't talk like real people talk.
Her repeated references
to "guns" could be related to Jacob's distaste for technology.
She disappeared almost instantly.
If Harper was actually Smokey, why didn't she just go pound CD against some trees?
Other's Clinic
The storeroom was full of non-Dharma supplies
"You're Burke, I'm Goodwin" - What's with the last names? Ethan, Tom,
and Ben get first names while we don't know Goodwin's.
Why does Goodwin have to keep his chemical burn a secret?
So he works with dangerous chemicals, it's not like he's in charge of the Other's
stockpile of WMDs.
Jungle-Losties
Will Jack and Juliet discuss the most obvious topic-what the hell were those
freaking whispers and how did Harper just disappear? Oh hell no.
"There is no obvious, single source for the plot of The Tempest.
Instead, the play seems to have been created out of an amalgamation of
sources."
"The Tempest differs from Shakespeare's other plays in its
observation of a stricter, more organized neo-classical style. The clearest
indication of this is Shakespeare's respect for the three unities in the play:
the Unities of Time, Place, and Action. The play's events unfold in real time
before the audience, Prospero even declaring at the end of the play that
everything has happened in mere hours. All action is unified into one basic
plot: Prospero's struggle to regain his dukedom; it is also confined to one
place: Prospero's Island."
"TEMPEST
is a codename referring to investigations and studies of compromising emanations
(CE).
Compromising emanations are defined as unintentional intelligence-bearing
signals
which, if intercepted and analyzed, disclose the information transmitted,
received, handled, or otherwise processed by any information-processing
equipment.